Video Scope Calibration

@Austin Thank you so much for this incredibly informative explanation.

If you have the time/interest, it would be incredible to adapt some parts of that write up into the documentation sections:

and

This is a critical distinction that applies to Shotcut. When Shotcut operates on YUV, it operates in limited-range. When Shotcut operates on RGB, it operates on full-range. I think this meets most people’s expectations. But it may not meet the expectations of people who come from a deep broadcast TV background.

Can you elaborate on this specific point? When I look at BT.709, Table 4.6 shows the quantization levels:


It doesn’t seem to leave any provision for full range.

I think it would be more accurate to say that BT.709 describes limited-range signals and sRGB (IEC 61966-2-1:1999) describes full-range signals. Maybe you have a better understanding of where full and limited range values are defined.

Thanks again for your thoughtful response on this topic.