GOP, B Frames and Codec Threads - What Do They Mean?

No, sorry. I misinformed you. There is no setting in Shotcut for open/closed GOP (although you may be able to set it in the “Other” tab).

“Fixed” relates to the GOP size parameter. If “fixed” is enabled, then every GOP will be exactly the size specified. If “fixed” is disabled, then the encoder is allowed to start a new GOP at its discretion - the most common reason being scene changes. In that case, the GOP size is the “maximum GOP size”.


Thank you for clearing that up!

I’m still a bit curious about the GOP length setting… When I start Shotcut it shows the value 125. When I click the YouTube preset it changes to 15, and I see this is specified in the preset file. When I click any of the H.264 presets it changes to 13, but I cannot find that specified in any of the default preset files so where does that value come from?

YouTube’s recommended upload encoding settings specifies GOP of half the frame rate, but does not indicate what this means for PAL - half the frame rate is 12.5, so either 12 or 13. My impression is that 12 is most used. My PAL AVCHD camera records with GOP length 12 (according to MediaInfo). From guides on internet it seems to me that 12 for PAL and 15 for NTSC are kind of a (de facto) standard. Is the intention behind the GOP length 15 in the YouTube preset to be half the frame rate - but assuming NTSC? I guess it is not possible to create a preset with a GOP length depending on the current frame rate setting? Why is the other H.264 presets using GOP length 13 - why different from the YouTube preset, and if assuming PAL then would 12 more in line with others than 13?

(Sorry if I’m asking too much about unnecessary details here, I’m just curious).

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13 is the default value if a preset does not specify it:

Probably. It stands to reason.

Correct - Shotcut does not support that.

I think you are reading into this too much. 12 or 13 are both close enough to “half the framerate” to achieve the goal.


Probably true. Thank you for your answer.

Actually, that is a remnant I missed during the change to make the defaults deviate some from the YouTube preset. I am changing this to be (5 * FPS) per the new defaults. YouTube does just fine when you deviate from their recommendation. They simply needed to give people some target to prevent getting crap (e.g. MPEG-4 part 2 simple profile), and Shotcut needs a preset to match what they published. However, that recommendation gives quite large file size that people complain about.

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A GOP (Group Of Pictuires) always starts with an I-frame (Intra frame).
An I-frame contains all the information needed to produce the picture for that frame, it does not depend on the contents of any other frame. If the GOP consists of only I-frames it would emulate an old cinematographic spool of tape, where e.g. damage to one frame would not affect any other frame.

The GOP can also contain zero or more B-frames (Bi-directional frame).
B-frames consist of information that describes the changes in the picture between this frame and the previous one. So damage or corruption of an I-frame or B-frame would affect the validity of subsequent consecutive B-frames.

The GOP can also contain zero or more P-frames (Predictive frames).
P-frames consists of information that describes the changes in the picture beween this frame and the previous I-frame and also the following I-frame. In this way any discrepancies or corruption within previous B-frames are eliminated from this P-frame onwards.


If you have a GOP of 1 (only consists of I-frames), you can easily jump (move the playhead) to any frame. The higher the GOP number the more difficult it is to move to playhead to a particular frame, since that frame may be a B- or P-frame and you have to seek to the corresponding I-frame (and intervening B-frames) to get the whole picture.
This becomes even harder if you have multiple tracks that may not have the same GOP number so that their I-frames to not coincide, or even if the GOP numbers are the same but the I-frames are aligned differently. Also playing in reverse is considerably harder for the hardware to do.

Obviously the main advantage of high GOP numbers is that the filesize is less than with large GOP numbers (usually considerably less unless there is a huge amount of motion between consecutive frames). The main disadvantage of large GOP numbers is the amount of processing power needed to create/handle the B- and P-frames.

@moonthink I hope this clarifies the situation for you.


GOP size is very important to a frame-precision seeking tool such as Shotcut and nearly all other video editors. Some media players only seek to keyframes (I-frame). A long GOP is much less important to any tool or service that merely needs to convert (e.g. YouTube), processing sequentially, or stream over a reliable transport (i.e. HTTP).

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That is the best explanation I have seen anywhere!

Thank you - I tried to summarise the information contained in these two useful articles:

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I got this book (and a few others) before we started making our first video attempts:

Ascher, Steven. The Filmmaker’s Handbook: A Comprehensive Guide for the Digital Age: 2013 Edition (p. 247). Penguin Publishing Group. Kindle Edition.

I love it, I can really recommend it. Got it as an e-book (some of those are badly layouted, not adapted to the e-format, but this one is nice and well structured and well indexed etc.). I can only quote a few lines, but you will find entire chapters on “Digital Compression” and “Compression Methods” and “A Few Common Codecs” under the Area “The Video Image”.

Here a mini-sample:

Different interframe formats use a different-length GOP. The length of the GOP affects how the compressor handles motion and complexity: the longer the GOP, the more you can compress the data, but that means more processing power is needed to keep up with the calculations. The 720p version of HDV, for instance, uses a 6-frame GOP; the 1080i version uses a longer, 15-frame GOP. …

Then he goes on in full detail and with graphs, showing how the GOP work together with the interframes etc.

Mr Eko has 20 odd Shortcut tutorial on his Youtube channel @ Tutorial part 6 give a simple explanation of GOP B frames and threads.

I have a better understanding of GOP/B frames now, thanks to this thread (and I didn’t need to buy a book). Hopefully it helps someone else too.

I have one more related question (so not worth new thread)…

Is there any easy way to read the GOP/B frames of source material? It doesn’t show up in properties, and I can’t find any info on it in my camera’s documentation. Would be great if there is a free app, or function in some app that can tell me what the GOP/B frames info is of any file.

Any help along those lines would be greatly appreciated.

Mediainfo ( gives the GOP information as e.g. M=3, N=12.

See Wikipedia ( for the explanation:

GOP Structure
The GOP structure is often referred by two numbers, for example, M=3, N=12. The first number tells the distance between two anchor frames (I or P). The second one tells the distance between two full images (I-frames): it is the GOP size.[2] For the example M=3, N=12, the GOP structure is IBBPBBPBBPBBI. Instead of the M parameter the maximal count of B-frames between two consecutive anchor frames can be used.

For example, in a sequence with pattern IBBBBPBBBBPBBBBI, the GOP size is equal to 15 (length between two I frames) and distance between two anchor frames (M value) is 5 (length between I and P frames or length between two consecutive P Frames).

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Hmmm, I’m running mediainfo, but I don’t see any GOP structure/info.

Not sure about MediaInfo not showing the information, but one thing to keep in mind is that the GOP structure only applies if the video was actually encoded that way. While it’s very common for DVDs and Blu-Rays, as well as some streaming solutions, most modern encoders don’t use a strict structure by default.

You would need to extract the frame type on a per-frame basis. AviSynth with ffmpeg and a little scripting can do this;

Though I could’ve sworn VLC was able to show the info as well.

that’s a good point, so I checked a file that I had already exported using shotcut (that I know used gop/b-frame settings) and still there was no GOP info listed in mediainfo.

I also tried looking at codec etc. view info in VLC, but no luck there either.

Yeah, I know it was years ago that I saw it last. Unless you’re a researcher, or have a very specific need, there’s little reason to care about the frame types as either the person doing the encoding (other than knowing the intended delivery platform - seeking VP9 files is a nightmare if you don’t litter them with the equivalent key frames), and even less so the consumer.

The AviSynth script works, though I’m fairly sure the frame where the following video goes back to Morena Baccarin is not suposed to be a P frame - but for all I know that’s exactly what the encoder ended up using there.

Is this just a curiosity itch you’re hoping to scratch?

My main goal is to be able to export files with the same GOP/b frame settings as the source file(s). In that way, shotcut can be of more use to me as part of the workflow, not necessarily the final editor – sometimes I prefer certain options in other editors. Also, that way I can use shotcut to “pre-edit” some files before sending to collaborators.

I just ran my “Hunt for Red October” credits video that was exported by Shotcut through Mediainfo (latest Windows 10 version) and it definitely shows the GOP info, but you have to set the VIEW->TREE option. It shows:

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Yes, I was using tree as well. What version is that? Could it be a recent change?
I tried several different files, including source files, shotcut exported finished files, and although I don’t have hunt for red october, I also tried some mp4 movies that were downloaded.

Source file:

Shotcut exported file:

Movie from internet:

My version is 18.05, I even tried the online version, but no GOP info in any of those format settings there either. Bizarre…