RGB Shift Video Filter

Separates the red, green, and blue color channels by offsetting them horizontally and/or vertically.
Neutral areas such as white, gray, and highlights split into distinct red, green, and blue bands, making the effect immediately visible.

The filter is a spatial color offset, not a depth or stereoscopic effect, even though it can resemble a glasses-free “3D” look.

With both parameters set to 50.0%, the filter is neutral and produces no visible change.

Parameters

Horizontal (0.0 - 100.0%)

Controls horizontal separation of the RGB channels.

  • 50.0%
    Neutral position. All color channels are aligned.

  • Below 50.0%
    Red, green, and blue channels separate horizontally in one direction.
    White or light areas split into three vertical color bands.

  • Above 50.0%
    Channel separation occurs in the opposite horizontal direction.

Behavior note:

  • The farther the slider moves away from 50.0%, the greater the distance between the three color channels.
  • Image geometry does not move; only color channels are displaced.

Vertical (0.0 - 100.0%)

Controls vertical separation of the RGB channels.

  • 50.0%
    Neutral position. All color channels are aligned.

  • Below 50.0%
    Red, green, and blue channels separate vertically.
    White or light areas split into three horizontal color bands.

  • Above 50.0%
    Channel separation occurs in the opposite vertical direction.

Keyframes

Both parameters can be keyframed.

This enables:

  • Gradual appearance or disappearance of channel separation
  • Animated color drifting
  • Glitch-style pulses or oscillations

Parameter interaction

  • Horizontal and Vertical offsets are independent and cumulative.
  • Using both produces diagonal RGB separation.
  • Increasing distance between channels increases color visibility without changing luminance placement.

Visual characteristics

  • White and light areas split clearly into red, green, and blue components
  • Colored fringes appear along high-contrast edges
  • Apparent loss of sharpness due to channel misalignment
  • Strong visual effect even at moderate values

Recommended use cases

  • Stylized chromatic aberration
  • Glitch or digital distortion effects
  • Text effects
  • Visual emphasis on movement or impact
  • Abstract or experimental visuals
  • Transitions and visual accents

Limitations

  • Does not create real depth or stereoscopic 3D
  • Can severely reduce readability of text and fine detail
  • No control over individual channel distance or order
  • Effect strength is resolution-dependent