I want to recreate the visual effect seen in the Corridor Crew video about the prism removing the need of green screen and blue screen but I miss some details about the notch reject filter, the bandpass filter and the beam splitter prism.
Here’s the video
(https://www.youtube.com/watch?v=UQuIVsNzqDk&t=10s)
The video of Corridor Crew is very informative but it lack crucial details for me :
the size of the lens filters and the prism they used.
What is the number of the transmission direction indicator for the notch reject filter lens, the shade of yellow of the bandpass filter lens and its wavelength number and also the brand they are from. The lenses are for microscope optics and laser but could a yellow color lens filter and a polarised filter for telescope or for camera be used or something similar.
What brand of yellow sodium light bulbs they used or what led light alternative could be used instead.
What digital and/or analog film camera could be to use with the assembled product.
Could it be used in tandem with the technique of matte painting on glass.
My apologies if my curiosities seems out of place, this stack exchange channel seemed the most appropriate place to ask that question. I’m more inclined toward old techniques than the ones needing a heavy use of computer.