For audio problem, the rendering has been made with the last version for Win7 (2022-12).
Enjoy
features used:
stabilization
contrast
brightness
color correction
saturation
level (gamma)
white balance (hot/cold)
size, zoom rotation
text simple
gain (audio)
transition classic
slow down or increase of speed of clips
reverse clip
Thank you, man. The footage is mine, with a mavic mini SE, and macro with a bridge cam. Stabilization has a big rule because of high hand movements during macro. The video started as low highness drone exercise and has been completed with macro.
Funny your report for my good font… I’ll check another worse than this
Very good stuff! This “public” saw the video until the end.
Smooth pans and and steady macros…
Humbly, may I suggest to google for “cinematic title fonts” for inspiration?
I do understand why you have chosen that font but there are other alternatives…
Beautiful video - thank you for sharing!
My only critique would also be the title font which I could hardly read.
And I would have loved to see the music title and artist mentioned in the credits.
I wonder how you did 0:48 - 1:02: The perspective moves upward constantly, but the sunlight glare steadily sits at the top of the picture. With such an upward motion I would have expected the camera to have the sun bright in its face at some point. …?
Hi, thank you for the suggestion.
About the big tree, I’ve waited the golden hour, and auto brightness. Until the foliage is in front of the camera, you get the colors, while when you get the sun, everything result in high contrast.
I don’t remember exactly, but I think I’ve used brightness filter strongly during color correction.
The vertical right instead is just another way to follow the tree and obtain the “reveal” technique.
But the reveal is at the end of the video, it’s the town.
Ciao
I see - so the occasional flashes of sunbeams at the very top are leftovers of slightly incomplete backlight correction? You must have a tremendous dynamic range in brightness in your footage, if you are able to restore that much of natural colors in a heavy back-light situation, shooting straight into the sun.
And the filters did an awsome job!
I’d be curious to see these 14 seconds of the original footage, without any processing
Ah - got it now. I was mistaken expecting the sun to be at a much lower position. Now I see it only shows up at 00:26, and the previous glares were just rays making it through the leaves. Thanks for providing the original!