Technically, you could do that by placing the LUT filter on the Output track to “calibrate” all video. However, the calibration LUT will now be included in the scopes, such as the vectorscope and waveforms. That means if you grade a scene to put reds directly on the red line of the vectorscope, the raw data won’t actually be on the red line because the scope is showing you corrected colors specific to your display.
Resolve has an option to apply a calibration LUT that does not affect the scopes. Shotcut does not have this option.