Hi, using a recent (2 weeks ago) git compilation of both mlt and shotcut for 64bit on Linux.
Something of a rambling statement about my user requirements and another rambling question which will not be hugely scientific from my perspective but I want to understant better.
So I’ve found a really nice way to use anamorphic and shotcut. Just change the aspect ratio on the container using ffmpeg.
ffmpeg -i infile.mp4 -aspect 64:27 -c copy outfile.mkv
This changing containers helps because ffmpeg won’t accept mp4 with lpcm audio. This can be done in bulk in a folder and is instataneous because of just changing the container. It also is one less conversion
It works well, shotcut recognises the aspect ratio and on exporting in the advanced tab my proportions. I haven’t done exhaustive testing with filters but it works well. If someone sees a problem that might bite me later I would appreciate a heads up
Here’s the thing, I have been trying to get as much out of my camera as possible, up until now I used CineD which has the most dynamic range and flattest profile on my panasonic. However, the greens are far too souped up for my liking and not natural at all.
Just tried the HLG profile and wow! It’s nice and flat and the dynamic range is visibly better. I tried it on MPV and also on shotcut without ‘edit friendly’ formatting it. The colours were similar to just viewing it on the monitor and I just loved the extra dynamic range.
So Ive looked for other posts and understand from previous threads that in fact I dont gain dynamic range due to the conversion process in exporting when using HLG files in this manner. It doesn’t look like the top parts of highlights are just chopped off… Just squished into the 8bit range.
The idea is using 10 bit files in an 8 bit workflow to export. I realise I can’t change any files to take care of underexposure or overexposure because the 10 bits aren’t there to play around in. I will however be happy just to gain some more dynamic range in my original videos.
As an aside I’ve tried ffmpeg conversions HLG → yuv420 and they look pretty good to me as well. Well they look the same to my eyes. If it’s more sensible to convert to 8 bit upon importing that’s just and extra line in that ffmpeg routine so no problems either way.