My camera changes exposure when recording - How can I undo this in shotcut?

Hy, I bet my question is too simple, but I didn’t find in tutorials or in the forum.

I try to do YouTube Videos in my room in front of a greenscreen. I know how to use the chroma key filters and everything is allright - but only if I sit still in front of my camara!

If I move a litte bit too much, or I get closer or more far away from my camera, or I put on a white shirt for example, my camera changes the exposure automatically. Unfortunately this changes the green color temperature of my greenscreen on my recording. So in my recordings my wall is light green in the beginning, but when I wear something white my wall gets dark green. Normally I wouldn’t mind, but this leads to unexpected results with my chroma key filtering, and this leads to super ugly videos.

So here comes my question: Is there a way in Shotcut to correct exposure level frame by frame? For this I’d like to select a small portion of my greenscreen, and Shortcut should change the exposure of the current frame, so that my selected picture area is always the same green.

Or has someone any idea how to handle that (in addition to buy a camera where I can fix exposure)?

Thank you for reading and any help!

David

I think, that is a camera issue…, try to find the setting for auto adjustment.
(Imc, I have a Samsung A-40, I have two main settings direct on the touch screen:
with the possibility to set the light direction
and not)
And, no, I do not think, that it is to compensate with Shotcut.

HTH

You need to disable your camera’s automatic exposure.

That’s correct. Especially ‘white balance’!

The OP is well aware that a manual camera is the real answer to this problem, but does not have one. Two workaround options using Shotcut come to mind.

The first option is to accept the varying exposure of the camera and recalibrate your chroma key filter for each new exposure shift.

The second option is to use the Color Grading filter in combination with the waveform scope to match two video clips to each other. Ideally, there would be a gray and a white piece of paper taped to an upper corner of the green screen that you could use to get a consistent white point between shots. Then, a Mask filter could effectively crop the papers out of the final shot like a garbage matte. Then the Gain portion of the Color Grading filter could get the white points the same, and the Gamma portion could get the gray papers the same. The Color Grading filter also supports keyframes if your exposure changes in the middle of a shot. But this is a very difficult and slow way of repairing a video.

In the end, everyone is correct that a camera supporting manual exposure control is the real answer to this problem. The workarounds are labor intensive.